Please welcome Author John Monk to the interview seat today!
Have you always had a passion for
writing?
When I
was in first grade, I got a poem published in the school newspaper. I remember how it ended: “...with a beautiful
spark of love.” Even back then I thought
it was sappy. But I got so much positive
attention from it that I kept writing cheesy poems and they kept publishing
them.
Does what you read influence what
you write and what are some of your favourite authors/books?
By
around fifth grade, I started writing short stories where I grossly plagiarized
Ursula Le Guin and Terry Brooks. I came up with the plots—I just stole all the
names. “Shady Vale” and “Garret Jax” and
“Ged” and “the island of Roke.” My love
of these names were the beginning of my love affair with language. In high school, when I discovered Edgar Allen
Poe, I started writing long, complicated writing that would have fit better in
the 19th century. These days, I like to think my writing is my own—but
of course I’d be lying. All writers are a product of their literary environment.
You’ll find a little Terry Brooks and Robert B. Parker peppered throughout my
writing, as well as some Elmore Leonard, Neil Gaiman and Dean Koontz. And I’d
be lying if I said Poe’s “...eyes have all the seeming of a demon that is
dreaming” didn’t give me chills to this very day.
What are your biggest
inspirations?
In a
general sense, I’m inspired by beauty. Whether it’s a gorgeous woman or a great
song or a really good movie, I get my inspiration from unique things. Often
it’s something intangible, like a charitable deed or act of bravery—something
that lifts a person, however briefly, from the plane we all exist on to regions
indescribable.
When I’m
sitting in traffic, I often wonder what makes something “great.” Why does the Beach Boys song “God only knows”
seize me the way it does when I hear it playing? I’m truly mystified. And the funny thing is: this confusion gives
me real hope. Do we really want a scientific answer for why things inspire us,
like beauty? Or, for that matter, terrible ugliness? When something horrific comes on the news,
isn’t it better to feel the awfulness at a visceral level rather have it
reduced to “a byproduct of our survival instinct which triggers an empathetic
response”?
Do you have a technique in how
you choose characters and/or locational settings?
Like a
lot of writers, I try to write what I know.
So Centreville Virginia shows up in my published book, Kick, as well as the one I’m editing
now. I also like to write about places
I’ve vacationed. Likewise, I write about
people I’ve met, though I modify them quite a bit. Often I take several people and mash them
together into a frankenperson, of sorts, picking and pairing the best parts for
the needs of the story. My buddy Rob
isn’t a murderer, but the way he gets angry when he’s cut off in traffic might
be just the thing for the murderer in my book. And I think my readers respond
to it—they know when something seems real. An artist does his or her best work
when the subject is painted from something in real life.
Do you listen to music while you
are creating your masterpieces?
I don’t
always listen to music, but sometimes I do.
My musical tastes range into every single category dated before 1990
(with the occasional one-off like that funny C Lo Green song). Rap, rock, punk, disco, jazz, bluegrass,
country, big band, folk, jubilee gospel, mariachi—this is the music I listen
to. It really gets my brain working to
hear something out of pace from my daily, natural rhythms. Recently I’ve gotten into Spanish
guitar—wonderful stuff. There’s a scene in Kick
where one of the sympathetic characters plays some Spanish Guitar. Blame the
Gypsy Kings.
What do you do to stay motivated
and avoid writer’s block?
When I’m
having writer’s block, I read some Elmore Leonard or watch Justified on TV or
anything with good writing in it. Just
like when I was a kid, nothing gets me going better than experiencing something
marvelous. It motivates me to make
something marvelous too—to add something of my own to the world. And it sure beats sitting there staring at an
empty screen in frustration.
How has becoming a published
author (independent or traditional) changed your perspective on life and is it
everything you expected it to be? (If you are not published yet – what changes
do you foresee?)
Heh, now
that’s a good question. Publishing my writing without the endorsement of Big
Publishing and then having to market it myself to a world of readers who don’t
know I exist has been a tremendously humbling experience. Getting that official
nod from a major publishing house...look, we writers like to pretend that recognition
isn’t important or that we’re sitting here all self-possessed and confident in
our work and all that, but at the end of the day we just want to be told how
brilliant we are. Especially from some
official body of professionals, ie., “the establishment.”
There’s
a part of me that wonders if Amazon and other eBook outlets aren’t a new kind
of American Idol and whether I’m not the self-publishing version of William
Hung. It sure would be nice to wake up every morning to another hundred
downloads of Kick. Until then, I’ll continue to assist my ego
out of bed every morning, downstairs to breakfast and then off to work. And I
probably won’t stop checking my sales rank several times a day to see if
something’s changed. My ego and I will get through this together. I don’t mind—my ego carried me for the last 42 years without
complaint!
What are your biggest challenges
as an author?
Time. I need time to create, time to edit, time to
market, time to do interviews like this, time to go to work and do a good
job. Time to be a husband. My wife and I want to adopt—that’s going to
take time. When we adopt, our child will
need so much of my time I’m afraid I’ll have to stop writing. So I need to get even more done now—because I
won’t have any time later.
Do you have any pets?
Dorothy
and I have a cat, an Old English Sheep Dog, and a white Schnauzer (a rare
color, we’re told). The Schnauzer’s name
is Shadowfax—which, to any fans of Tolkien out there, has revealed to you one
of my other great inspirations: the Lord of the Rings.
What hobbies do you have outside
of reading and writing?
I like
to go sailing with a friend of mine, in his boat, out on the Chesapeake. I like to go hiking once or twice a
year. I used to play an unhealthy amount
of World of Warcraft—when I quit about 3 years ago, I used the time to write my
first novel. Now, looking back, I wish I
could reach out and slap that WOW-playing John L. Monk. Writing is so much more rewarding.
Hmm, thinking
of other hobbies...do potential hobbies count?
I’d really love to take up woodworking.
I think it’d be the coolest thing in the world to make a table or a
chair. One day when I’m rich and famous,
maybe I’ll take a year off from writing to do that?
Where is the most
exciting/memorable place you have been in the world?
When I
was in college, getting my degree in anthropology, I visited the island of
Malta for a study-abroad program. Simply
put, Malta’s a giant rock in the middle of the Mediterranean. It’s cities are fortress cities. It’s poorest people live in subdivided
palaces for the Knights of Saint John. The water was an almost magical blue,
and yet their beaches were littered. A
lady proprietor of a bar was worried when we were playing dominos at one of the
tables and almost had a heart attack when we suggested switching to cards. Bands walked the streets at night in a parade
playing as loud as they could so a rival village could hear them coming. Some of the band members smoked between parts
or stepped in and out of bars, rejoining when it was time for them to play
again. Perhaps the most shocking thing that happened was when I went looking
for a boat maker so I could interview him. The boat maker and his sons almost
threw me into the Mediterranean. I didn’t
speak Malti, but through hand gestures and smiles I managed to convince them I
wasn’t trying to steal the secrets of their designs to sell to a competitor in
the Regatta. It was a fascinating, memorable trip.
Tell us about your latest work in
progress or most recent published work…
Kick is my most recent published
work. It’s a story about a college
student, Dan, who commits suicide when the girl he loves dumps him. Afterward,
Dan finds himself in a strange limbo where he can remember his life so perfectly
that, if he chose to, he could tell you the exact number of breaths he took in
his life until the very last second of it.
Such is the perfect memory of the dead.
He’s also able to come back into the world of the living by possessing
the bodies of predatory criminals: rapists,
killers, pedophiles—the worst of humanity. Whenever he does, he has complete
control and his motivations for living are entirely his own. Mostly he just lives his life again—eating
out, watching movies, reading books, and going to ball games. He also spends a lot of time trying to remain
celibate. Just because a women he runs into thinks she knows him, it doesn’t
give him the right to know her back (so to speak). This sets Dan up for sometimes sad, sometimes
hilarious encounters.
Before Dan
is kicked out, usually in about 3 weeks, he’ll find a way to take his killer
down with him, either through a police confession with an evidence dump or a
self-administered bullet to the head.
One reviewer said it was kind of a cross between the TV show Quantum
Leap and the show Dexter on Showtime. I
always felt the same way about it, but it’s better when a fan says so.
The
working title of my latest book, still unpublished, is Thief’s Odyssey. Unlike Kick there’s nothing supernatural in it.
It’s a story about a cat burglar and his adventures: from DC to the Bahamas to
Florida and then back again. I’m
reluctant to give too much away right now, but suffice to say that unlike many
of the caper movies made over the years, Thief’s Odyssey was heavily
researched. The methods used to crack
safes, pick locks, and disable alarms actually work.
The one
thing that ties Kick to Thief’s Odyssey is they’re both told in
first person narrative, and that lets my John L. Monkiness shine through. I like stories about outcasts from
society—whether through a suicide, like in Kick,
or that of a criminal like the main character in Thief’s Odyssey. I’ve
thought about my fascination with outcasts, and the best I can come up with is
it’s an echo of my writer’s perspective on life. On some level, I’ve written my
observer-self into my stories.
You can find Kick on Amazon!
